“Great solo work from this The Watchmen alum! Sounds like: memories shared, full of emotion” - Larry Lootsteen
All Together Now
Ken Tizzard And Friends
With time on his hands during the pandemic lockdown, roots music troubadour Ken Tizzard decided to create a new album comprising the fresh versions of cover songs he had worked up on his solo shows over the past decade.
Tizzard explains that “initially I told my fans that I was going to record all these cover tunes I’ve been playing at Whiskey Wednesday [his popular weekly residency at a pub in Campbellford, ON] for 10 years. It was to be just be me and my acoustic guitar, a way to give them some new music.”
Little did Tizzard suspect that the originally modest concept would blossom into Ken Tizzard and Friends: All Together Now – an epic project involving some 44 guest musicians contributing parts from all over the continent. (Available May 18, 2021)
“When I let the news out, people started responding – ‘hey, if there’s anything I can do to help?,’” Ken recalls. “Then the idea just hit me. Make it an open call to everybody. That was my next Facebook post, inviting anybody who wanted to be involved. ‘If you have any way to record and if you like any of these songs, email me and we’ll talk about what you can do.’
The response just snowballed!”
Tizzard posted a list of the 13 songs he had in mind for the record, and then, he explains, “I started putting the puzzle together. I got a big sheet of paper, listing the songs, the guests, what instruments they played, and started assembling it.”
The novel creative process involved Ken recording a rough demo of each tune, vocal and acoustic guitar only, and sending that out to the volunteering musical guests, giving them complete freedom for the parts they would send in. “There were only a couple of instances where I went back and asked the player for a change,” he notes. “That is remarkable given that everybody played without hearing what the other guests played.”
The resulting collection of songs that is All Together Now is both varied and fresh. Many of the chosen tunes date back to the ‘80s, the decade in which Ken came of age, with classic songs by Tears For Fears, The Boomtown Rats, The Clash, The Cure, Billy Bragg, and R.E.M. making the cut.
Tizzard explains that Tears For Fears’ “Mad World” “developed into a booming rock song once I confirmed that [Nickelback drummer] Daniel Adair and [Hedley bassist] Tommy Mac would be working together.”
He goes further back for gems by Neil Young, George Jones, Tom Petty, Van Morrison, Bob Dylan, and John Lennon, while “Green Mountains Ann Me” by Americana fave Slaid Cleaves is the most contemporary tune. Tackling Dylan’s “Don’t Think Twice” was a no-brainer, as Ken explains “Dylan has been with me since I started listening to music. He has been a high influence on myself and so many people it only seemed right.”
One new version with a deep personal resonance for Tizzard is The Clash’s “Police On My Back,” given a rousing rootsy treatment here. “An old and close friend from Newfoundland, Dean Locke, plays bass on this,” Ken reports. “It was our first time doing any music together and his first time working on a recording project of this scope. He was so excited but passed away unexpectedly in December. He never got to hear the finished track so the album is dedicated to him.”
The formidable cast list of collaborators on All Together Now includes some leading lights of Canadian rock and roots music. As the propulsive bassist in Canrock favourites the Watchmen and Thornley over the past three decades, Ken Tizzard has earned major peer respect in that world, while the prolific roots-based solo career he has pursued over the past 15 years has brought similar esteem in the folk community.
Notable players featured on All Together Now include Matt Mays, Ron Hawkins (Lowest Of The Low), Dale Harrison (Headstones), Daniel Adair(Nickelback), Tommy Mac(Hedley), Danny Greaves (The Watchmen), Donald Williams (Big Wreck), Dave Gunning, Sandy Morris (The Wonderful Grand Band), Creighton Doane, and Sean Panting. Also contributing were Tizzard fans in Canada and the US that he has yet to meet in person.
Adding invaluable assistance on the mixing side was Mike Turner (Our Lady Peace), with the renowned Noah Mintz mastering. “Mike and I had a massive task assembling everything,” says Ken. “It’d be like ‘we’ve got a flute, a fiddle, a harmonica, guitar, slide guitar and piano playing on the one song. How do we make it work?’ Mike did an amazing job.”
Ken acknowledges that the presence of his musical friends on All Together Now means this doesn’t sound like a regular Ken Tizzard solo album. “The essence of these songs, the way they are, comes from everybody else, not from me,” he observes.
He remains justifiably proud of both the musical results and the imaginative creative process. “For this record, I had to put professional expectations away and accept it as a fantastic social experiment that produced some really good music in a time when people needed a chance to do that.”
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Ken Tizzard And Music For Goats
Living The Dream
Over the last few years a collection of musicians have been hanging around with songwriter Ken Tizzard. This collection of musical friendships have slowly evolved into "Ken Tizzard and Music For Goats." With Ken Grant on bass, Neil Lucy on acoustic guitar and Steve Dagg on drums this quartet have spent the better part of the last year meeting up on Wednesday nights at "The Little Pub" and learning Ken Tizzard's large collection of original music and sometimes obscure cover tunes.
In January, Ken Tizzard and Music For Goats recorded three nights at "That Little Pub" in Campbellford. Locals have been supporting Whiskey Wednesday for almost ten years and we took this opportunity to capture a little piece of our collective history. For almost a decade Ken works on new material, attempts cover song requests and generally relaxes, has a drink, a puff and completely enjoys playing music with friends.
"It is unlike any other aspect of my musical career; and I love the freedom it allows."
So how do you capture this for a record? "That was a struggle for me." With a packed house made up of an audience of 30 people, how do you capture something that relates that experience? With no techs, no sound man, no guitar changes, no stage room for four band members and microphones; these evenings are usually a hot sweaty mess. And that is part of the beauty.
"When I first listened to the files I realized a few things - I talk way too much and the more I drink, the more the banter becomes part of the evening. Hmmm? How much of the banter do I cut? How much of the songs do I clean up? How pro do I make this sound?
After a week of cleaning and editing it was sounding fantastic. Sounded like we were playing some incredibly acoustic theatre. I had muted mistakes and half-played notes in order to correct later. But something was wrong... It didn't sound like the pub anymore.
I started again... removed all the compressors, eqs, and any effects and started re-mixing using just faders and pan.
Suddenly it sounded like the pub. It sounded crowded, it had mistakes, I slur a bit too much, the harmonies are close but not perfect - and a few of the guitar solos are, well... almost tragic!"
BUT IT IS REAL.
After some research it was not surprising to find most of our favourite live records had been re-recorded in the studio after the recordings were taped. This is not uncommon and Ken Tizzard and Music For Goats are not against it. It just wasn't the way to go for this album.
Ken Tizzard and Music For Goats
Living The Dream
(Live at That Little Pub)
coming June 24th, 2020
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Radio Edits - press 'ff" on right to select track to download - These tracks have been edited for radio (banter removed), all FCC clean if you require a different format for your station please contact email@example.com